I often turned to my imagination when I was a child. Nobody Can Take My Happy Awaywas inspired by the times I was bullied. My peers teased me about my clothes, my teeth, my home, and how I talked. I wanted to hide from everyone, so I had fewer opportunities to make friends. Because I lived in my own head, I found acceptance in the world of make-believe. I read books about strange worlds with characters that thrived in their surroundings. Eventually, it didn’t matter if someone teased me at school. Reading these books helped me be myself. I found strength in being the odd one out.
I love the colorful illustrations and the silliness of Dr. Seuss books. This book delivers a positive message about our natural resources in a way all can understand. The message is taking responsibility for the problems we create. The seed represents hope for the future.
When I was a child, I went to see an outdoor screening of The Lorax at a local festival. I won a copy of the book and it’s been special to me ever since. I think it reinforced the idea that no matter how old you are, you can change things for the better. I also wanted to share something positive through my books.
I use color in the illustrations in my books because when I was a kid, I loved picture books and they were helpful when I was having difficulty with my learning disabilities and how others perceived me. I was ten years old when I wrote this story so it came straight from my heart. I had experienced bullying and wanted others to know you can get past it and thrive.
The Lorax is the original eco warrior and his message still rings loud today in this fable about the dangers of destroying our forests, told in the trademark rhyme of the irrepressible Dr. Seuss.
"Mister! He said with a sawdusty sneeze, I am the Lorax. I speak for the trees."
The Lorax is a hilarious and timeless story with the trademark humour and silly rhymes of Dr. Seuss, that packs a punch with its ecological message without feeling heavy-handed or worthy. The Lorax is the original eco warrior as he tries to save the Truffula trees from the greedy once-ler's…
I’m recommending this book because of the imaginative world of monsters the author created. The book has a straightforward message about how the boy could be in a world where things could be wild and untamed if he chose. Even after all the fun he had, he was exhausted by the over-the-top antics of the monsters.
I love the illustrations, which really tell the story. Max was having amazing fun and that was very appealing to me at a young age. My main takeaway was that Max got a dose of his own medicine, and realized it’s okay to be adventurous and energetic, but we all need to rest and time to think about things.
We borrowed this book from the local library, and my mother shared that it was one of her childhood favorites. She would read this book and others at a college library with her own mother while her father attended classes. I see sharing our favorite books and memories with each other as a way to connect with other generations through imagination.
Read-along with the story in this book and CD edition!
One night Max puts on his wolf suit and makes mischief of one kind and another, so his mother calls him 'Wild Thing' and sends him to bed without his supper.
That night a forest begins to grow in Max's room and an ocean rushes by with a boat to take Max to the place where the wild things are. Max tames the wild things and crowns himself as their king, and then the wild rumpus begins.
But when Max has sent the monsters to bed, and everything is quiet,…
I like how the illustrations in this book support the story. At the beginning of the story, things seem quite normal, but it quickly goes to an exciting place. Once Coraline realizes she can have anything, she thinks this will be the norm.
When her second mother lets her know there’s a price to pay, the story turns darker. The book reminded me of Hansel and Gretal, especially when Coraline realized she no longer had the freedom to leave.
I was fascinated with how the world of imagination infringed on the real world. I like the contrast between the two and the way these things clashed. As an author, I sometimes get to go to imaginative places, but I do get to return when I want.
"Sometimes funny, always creepy, genuinely moving, this marvellous spine-chiller will appeal to readers from nine to ninety." - "Books for Keeps". "I was looking forward to "Coraline", and I wasn't disappointed. In fact, I was enthralled. This is a marvellously strange and scary book." - Philip Pullman, "Guardian". "If any writer can get the guys to read about the girls, it should be Neil Gaiman. His new novel "Coraline" is a dreamlike adventure. For all its gripping nightmare imagery, this is actually a conventional fairy story with a moral." - "Daily Telegraph". Stephen King once called Neil Gaiman 'a treasure-house…
I read all thirteen of these books and I found them to be a fast read. I found them to be riveting because I kept wondering how bad things were going to get for the children in the story.
I liked how the author kept you concerned for the children to the very end. I kept asking myself, when will someone stop Count Olaf? I loved how unusually bright and innovative the Baudelaire children were. I connected to this story because I like stories of unique people who face challenges and eventually come out on top.
Lemony Snicket's The Bad Beginning is the first book in the globally bestselling series A Series of Unfortunate Events. This exclusive gold foiled 20th anniversary hardback gift edition commemorates the miserable fact that every child in the world has wanted this brilliantly funny book for twenty years.
Perfect for fans of Roald Dahl and Mr Gum, young readers of 9 to 11 will adore the mischievously dark humour. Lemony Snicket's 'A Series of Unfortunate Events' has been made into a blockbuster Hollywood film starring Jim Carrey and is also a hit Netflix TV series. Now with new anniversary blurb by…
This interactive book inspired me to look at ordinary things in a new way. The pictures are great, they take you to new places using everyday things and people as a stepping stone. My favorite part of the book is the dial that allows you to switch faces. Common objects take on a whole new life in this book. I remember having a lot of fun looking at it.
This book felt more like playtime than reading, and that’s what I loved about it when I was a child. It made me decide to be an author and illustrator creating imaginative books. The style and theme of this book are my ideal inspiration for future projects. I want to write stories that exist for the sake of making happy memories.
Inspiring, intriguing, endlessly entertaining -- Norman Messenger's interactive book allows us to step out of our everyday lives, shed our preconceptions, and experience a little magic.
IMAGINE . . . a ladder without steps, a clock without hands, a racket without strings, a kiss without a mouth. Imagine a world where the hills have faces and wherever you went, you'd have someone to talk to. Imagine flipping a series of flaps to form fantastical creatures or turning a wheel to fit the top of one face on the bottom of another. Imagine that Norman Messenger's quirky, humorous suggestions, ingenious visual…
Emily is the new girl at school. She learns quickly that her first day at a new school isn’t going to go the way she expected. She gets teased about her appearance among other things. At first, Emily thinks that there is something wrong with her, and wonders if there is something she can fix about herself to get the other kids to stop teasing her.
She soon learns that the problem isn’t her, it’s them. Together with some new friends that she initially overlooks due to her worries, they bring about change at their school with confidence, communication, and teamwork. This is a book about the challenges a child faced in school, and how she was able to get her “happy” back.
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to the family's country manor house, where Mattie isolates and old ghosts start to come out of the woodwork.
It's a story about loss and depression; it's a story about friends who don't let you walk through the valley of death alone.
Ambrose Bancroft returns to London society with his younger sister, hoping they'll leave ghosts of memory behind. They have only each other left. While Ambrose attempts to draw Mattie out, dragging her to balls and threatening to seek suitors for her, his sister recoils from his meddling. Finally, when Ambrose compels her to attend art class before she's ready, Mattie paints something horrific enough to banish them from society in public disgrace.
At Linwood Manor, Mattie and Ambrose aren't as alone as they think. Taking advantage of Mattie's desperate need to find freedom, a vanishing room lures Ambrose's sister into…
